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You can contact him directly on Twitter, or visit his personal blog. If you find another method and it does find all keys then please let me know. EDIT:Version 0. FFFF range. Fixed it to search the memory dump in the default directory.
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Besides, you can… VistaTools is a collection of tools for creating, editing, organising, copying, moving and archiving your documents on the Windows platform. Roxanne zegt: Hey! Auto white balance is recommended with most light sources. If the desired results cannot be achieved with auto white balance, choose an option from the list below or use preset white balance. White balance is adjusted automatically for optimal results with most light sources. For best results, use type G, E , D or Z lens.
If optional flash fires, results are adjusted appropriately. Color temperature can be viewed in the playback info display after shooting. White balance is adjusted for natural light, producing colors closer to those seen by the naked eye.
Here you can change settings for the internal processing of picture data from the image sensor into final JPG files. You can choose between:.
You can modify any of these preset configurations by placing a yellow selection mark in it and use the selector to the right. Additionally you can create your own configurations by copying, modifying and renaming an existing one.
To do so you need the next menu option Manage Picture Control. When you change a configuration in the Picture Control and do a Reset your last chosen configuration will stay selected but any changes in it will be reset.
Hack : An important menu with visible impact on your photos! On the other hand all of these settings can also be changed afterwards in image processing on the computer, you really have to get them right in the camera if you want to have the best possible results straight out of your Nikon Z9.
The sharpening chosen by Nikon is rather weak, I prefer a higher value of 5 or 6. That can improve your image but also be too much of a good thing if you have already high contrast e. I would not set contrast and brightness here and switch on the Active D-Lighting. Result: All the above has brought me to the following settings that I use myself:.
I use the first one most of the time and switch to the second one occasionally. Last but not least: Do not overestimate the importance of this menu, most important is still a good subject, light, exposure and white balance for cooler or wamer color rendition. This menu allows you to copy existing Picture Control configurations see previous menu and save them with personal adjustments under a new name. Then you can assign one of nine places in the list of possible customized entries, edit it and choose your own name.
With the user settings also personal adjustments to a Picture Control will be saved. If you do change the Picture Control settings regularly it is best to put the most commonly used settings into your own configurations. Reset will put all Picture Control configurations back to their default settings and you need an own configuration if you do not want to tweak Picture Control each time with your setting details.
As for sRGB all colors will be stored with shares of red, green and blue with levels of gradation, the difference is that the maximum saturations are higher. ADL can also darken too bright areas but lightening dark ones is more frequent and the improvements are more visible there. Hack : Turn this ON, set it to Normal, it really helps improve your images! If this menu option is switched on the Z9 will use an extra step in internal image processing for noise reduction if the exposure time is longer than 1 second.
You can choose if an additional noise reduction shall be applied in the internal image processing for shots with high ISO sensitivity. High, Natural, Low or Off are selectable. Vignetting is a drop in brightness at the edges of a photograph. So yes it works on adapted lenses with the FTZ adapter too. Its effects vary from lens to lens and are most noticeable at maximum aperture. Choose from High, Normal, Low, and Off. Hack : Depending on the scene, shooting conditions, and type of lens, TIFF and JPEG images may exhibit noise fog or variations in peripheral brightness, while custom Picture Controls and preset Picture Controls that have been modified from default settings may not produce the desired effect.
Take test shots and view the results in the monitor. Vignette control does not apply to movies or multiple exposures. With digital cameras, if you select a small aperture to increase depth of field when shooting cityscapes or landscapes, it may cause a loss of sharpness across the image due to diffraction.
Select On to reduce barrel distortion when shooting with wide-angle lenses and to reduce pin-cushion distortion when shooting with long lenses note that the edges of the area visible in the viewfinder may be cropped out of the final photograph, and that the time needed to process photographs before recording begins may increase.
Reduce banding or in photos taken in continuous release modes uneven exposure or coloration caused by the flicker of such light sources as fluorescent or mercury-vapor lamps during viewfinder photography. Hack : Take a test shot and view the results before taking additional photographs.
Flicker reduction can detect flicker at and Hz associated respectively with AC power supplies of 50 and 60 Hz. Flicker may not be detected or the desired results may not be achieved with dark backgrounds, bright light sources, or decorative lighting displays and other non-standard lighting. Depending on the light source, there may be a slight delay before the shutter is released.
During burst shooting, the frame rate may slow or become erratic; in addition, the desired results may not be achieved if the frequency of the power supply changes during shooting. Hack : Specifying the focal length and maximum aperture of non-CPU lenses using the Non-CPU lens data option in the setup menu allows the camera to use color matrix metering when matrix is selected and improves the accuracy of center-weighted and spot metering.
Choose the flash control mode for optional flash units mounted on the camera accessory shoe and adjust settings for off-camera flash photography. The options available vary with the flash used, while the options displayed under Flash control mode vary with the mode selected. Settings for other flash units can only be adjusted using flash unit controls. Adjust settings for simultaneous wireless control of multiple remote flash units. Some of the flash modes are set on the camera, rather than on the flash.
To set most of these modes on a Nikon Z9, you keep the flash button depressed and rotate the main rear command wheel to cycle through the modes. The modes appear in the flash frame in the top LCD panel on the camera. The flash fires with every shot. This makes the iris of humans and animals contract which reduces the area where the red eye effect can be seen. The red-effect only occurs when you use the flash as key light pointing forwards and directly into the subjects eyes. As for Red-eye reduction except that shutter speed slows automatically to capture background lighting at night or under low light.
Use when you want to include background lighting in portraits. Use of a tripod is recommended to prevent blurring caused by camera shake. Without having Auto FP enabled, the camera will not let you set the shutter speed higher than the x-sync speed when you use a CLS-compatible flash. With Auto FP enabled, you can use any shutter speed. This permits the correct exposure to be obtained as the travelling slit of a dual curtain shutter passes over the sensor at high-speed.
Note that using FP reduces the maximum power of the flash. The only way to have FP is to illuminate the focal plane curtain, which, depending on the shutter speed, may cover a very large percentage of the focal plane.
Using FP will reduce the effective GN of the flash when you exceed the x-sync speed. However, it has no effect at speeds lower than the x-sync. It does no harm to have Auto FP permanently enabled. Note: The FP mode is mainly useful when you want to use large apertures when doing fill flash in bright daylight.
The FP mode does not help you freeze motion. Normal flash photography is very good at freezing motion, since a burst of electronic flash is so incredibly brief. When the dominant light on a scene is a very short flash of light it is almost as if you used a very high shutter speed in the thousandths of a second.
However when you use FP mode flash, the flash unit pulses the light output over a longer period of time in order to simulate a light being lit for the entire time the shutter travels across the focal plane. Since the flash burst is no longer very short, it becomes more difficult to freeze motion, even with high shutter speeds. And because the FP mode makes you lose so much of the power of the flash, it is not very useful when you want the flash to be the dominant light. To choose a value for flash compensation, press the magnifying button and rotate the sub-command dial until the desired value is displayed in the control panel.
Flash compensation is not reset when the camera is turned off. Designed for shooting stationary subjects, this mode locks focus when you depress the shutter button halfway. Think S for still, stationary. In AF-S mode, the camera insists on achieving focus before it releases the shutter. Geared to capturing moving targets, AF-C mode adjusts focus as needed as long as the shutter button is pressed halfway. Think C for continuous motion. Remember that a focus-adjustment occurs only if the subject moves closer to or farther from the camera.
If the subject is moving but only shifts a short distance in a horizontal direction, no adjustment is needed because the focusing distance remains the same. The camera adjusts focus continuously in response to subject movement or changes in composition.
Focus locks when the shutter-release button is pressed halfway. This option is only available in movie mode. To focus manually, adjust the lens focus ring until the image displayed on the clear matte field in the viewfinder is in focus. Photographs can be taken at any time, even when the image is not in focus.
Why waste battery power, memory card space, and inevitable time deleting out-of-focus pictures? Sports shooters who fire off hundreds of shots while covering an event, though, may want to unlock shutter release for both AF-C and AF-S modes. You can dial in a customisable shape for both vertical and horizontal to create to customisable size of the focus area. You can also save them to a custom bank for quick recall.
The Nikon Z9 is equipped with in-camera vibration reduction VR , other manufacturers call this sensor or image stabilisation. The VR unit provides compensation for movement along five axes. The effects of vibration reduction are equivalent to a shutter speed up to approximately 5.
Vibration reduction may be unavailable with some lenses. When using vibration reduction, wait for the image in the display to stabilize before shooting. With some lenses, the image in the display may also jiggle after the shutter is released; this is normal and does not indicate a malfunction. I recommend sport or On for panning shots. In Sport, Normal, and On modes, vibration reduction applies only to motion that is not part of the pan if the camera is panned horizontally, for example, vibration reduction will be applied only to vertical shake.
To prevent unintended results, select Off when the camera is mounted on a tripod unless the tripod head is unsecured or the camera is mounted on a monopod, in which case Normal, Sport, or On is recommended. Bracketing can be used in situations in which getting the right settings is difficult and there is not time to check results and adjust settings with each shot, or to experiment with different settings for the same subject. The following options are available:. Number of shotsChoose the number of exposures that will be combined to form a single photograph.
Overlay mode. Used with high contrast subjects, High Dynamic Range HDR preserves details in highlights and shadows by combining two shots taken at different exposures. Take photographs at the selected interval until the specified number of shots has been recorded. Select a release mode other than self-timer E when using the interval timer. You can also select to shoot exposure bracketing at the same time.
The settings of exposure bracketing will depend on the exposure bracketing menu settings. During focus shift, the camera automatically varies focus over a series of photographs. This feature can be used to take photos that will later be combined using focus stacking.
Before using focus shift, rotate the focus mode selector to AF and choose a release mode other than timer. Select On to reduce vibrations caused by the shutter when shooting landscapes and other static subjects. Use of a tripod is recommended. The flash and long exposure noise reduction are disabled, as are the electronic front-curtain shutter and beep speaker, regardless of the options selected for Custom Setting d5 Shutter type and for Beep options in the setup menu. In continuous release modes, the frame advance rate will change.
Enabling silent photography changes the frame advance rates for continuous release modes and disables some features, including the flash, beep speaker, long exposure noise reduction, and the electronic front-curtain shutter. Select the card slot you want to use for movie recording. Hack : At high ISO sensitivities, the camera may have difficulty focusing and noise randomly-spaced bright pixels, fog, or lines may increase.
This can be prevented by choosing a lower value for the ISO Maximum sensitivity. Choose a Picture Control for movies. These can off course be edited too. Preserve details in highlights and shadows, creating movies with natural contrast.
Select Same as photo settings to use the option currently selected for photos. Select On as required to reduce barrel distortion when shooting with wide-angle lenses and to reduce pin-cushion distortion when shooting with long lenses note that Off may not be available with some lenses. Reduce flicker and banding when shooting movies under fluorescent or mercury-vapor lighting.
Choose Auto to allow the camera to automatically choose the correct frequency, or manually match the frequency to that of the local AC power supply.
If Auto fails to produce the desired results and you are unsure as to the frequency of the local power supply, test both the 50 and 60 Hz options and choose the one that produces the best results. Flicker reduction may not produce the desired results if the subject is very bright, in which case you should try choosing a smaller aperture higher f-number. Metering determines how the camera sets exposure.
The same options as in the Photo Menu are available. At default settings, the focus mode can also be selected by holding the Fn2 button and rotating the main command dial. Identical to the Photo Menu again. Only needed when your lens does not have a VR switch. If your lens does have a VR switch, turning it of will turn off both lens and sensor stabilisation. Turn the built-in or external microphones on or off or adjust microphone sensitivity.
Choose Auto sensitivity to adjust sensitivity automatically, Microphone off to turn sound recording off; to select microphone sensitivity manually, select Manual sensitivity and choose a sensitivity. Select Enable to reduce microphone gain and prevent audio distortion when recording movies in loud environments. If Wide range is selected, the built-in and external microphones will respond to a wide range of frequencies, from music to the bustling hum of a city street. Choose Vocal range to bring out human voices.
Select On to enable the low-cut filter for the built-in microphone optional stereo microphones are unaffected , reducing noise produced by wind blowing over the microphone note that other sounds may also be affected.
Wind-noise reduction for optional stereo microphones that support this feature can be enabled or disabled using microphone controls. The Nikon Z9 is quite a capable video cam. Select On to compensate for discrepancies between the frame count and the actual recording time at frame rates of 30 and 60 fps.
When AF-C is selected for photography, this option controls whether photographs can be taken whenever the shutter-release button is pressed release priority or only when the camera is in focus focus priority.
Regardless of the option selected, focus will not lock when AF-C is selected for autofocus mode. The camera will continue to adjust focus until the shutter is released. When AF-S is selected for photography, this option controls whether photographs can be taken only when the camera is in focus focus priority or whenever the shutter-release button is pressed release priority.
Regardless of the option selected, if the in-focus indicator is displayed when AF-S is selected for autofocus mode, focus will lock while the shutter-release button is pressed halfway.
Focus lock continues until the shutter is released. This option controls how autofocus adjusts to changes in the distance to the subject when AF-C is selected during viewfinder photography. Choose from values between 5 Delayed and 1 Quick. The higher the value, the slower the response and the less likely you are to lose focus on your original subject.
The lower the value, the quicker the response and the easier it is to shift focus to objects crossing your field of view. Use for quick focus-point selection. Choose YES to enable separate focus-point selection, or Focus point and AF-area mode to enable separate selection of both the focus point and the AF-area mode. This only applies if you change AF-area modes while focusing with the shutter-release button pressed halfway. Choose the AF-area modes that can be selected by pressing the focus-mode button and rotating the sub-command dial.
Limit focus-mode selection to a single focus mode. If an option other than No restrictions is selected, rotating the main command dial while holding the focus-mode button will not change the focus mode.
Choose whether both the selected focus point and the surrounding focus points are displayed in dynamic-area AF mode. Choose whether the built-in AF-assist illuminator lights to assist the focus operation in photo mode when lighting is poor.
Off: The illuminator does not light to assist the focus operation. The camera may not be able to focus when lighting is poor. When focus peaking is enabled in manual focus mode, objects that are in focus are indicated by colored outlines in the display. You can choose the color. This item is available with compatible lenses only. It controls whether the lens focus ring can be used for manual focus in autofocus mode.
On: Autofocus can be over-ridden by rotating the lens focus ring autofocus with manual override. The focus ring can be used for manual focus while the shutter-release button is pressed halfway.
To refocus using autofocus, lift your finger from the shutter-release button and then press it halfway again. If the value currently selected for ISO sensitivity is not available at the chosen setting, ISO sensitivity will be set to the nearest available value. Select the increments used for adjustments to shutter speed, aperture, bracketing, and exposure and flash compensation.
If 1 EV comp. On auto reset : Exposure compensation can be adjusted using only a command dial. The setting selected with the command dial is reset when the camera turns off or the standby timer expires. On: Exposure compensation can be adjusted using only a command dial. Exposure compensation is not reset when the camera turns off or the standby timer expires.
Off: Exposure compensation is set by pressing the E button and rotating a command dial. Choose whether exposure is adjusted for the faces of human portrait subjects detected by the camera when Matrix metering is selected.
When Center-weighted metering is selected, the camera assigns the greatest weight to an area in the center of the shooting display when setting exposure. Small: The camera assigns the greatest weight to an area equivalent to a circle 8 mm in diameter.
Stdrd: Standard, the camera assigns the greatest weight to an area equivalent to a circle 12 mm in diameter. Use this option to fine-tune the exposure value selected by the camera; exposure can be fine-tuned separately for each metering method. The default is zero. If an option other than [ Exposure maintenance off ] is selected for [ Keep exp.
Other cases in which settings may be automatically adjusted to maintain exposure include when:. The setting adjusted to maintain exposure when aperture changes can be chosen from [ Shutter speed ] and [ ISO sensitivity ].
Select [ Exposure maintenance off ] to disable this feature. Depending on the lens, the camera may be unable to maintain current exposure at some settings. Choose the length of the shutter release delay, the number of shots taken, and the interval between shots in self-timer mode.
Choose how long the monitor remains on when no operations are performed during playback Playback; defaults to 10 seconds and image review Image review; defaults to 4 seconds , when menus Menus; defaults to 1 minute or information Information display; defaults to 10 s are displayed, or during live view and movie recording Live view; defaults to 10 minutes. Choose a shorter monitor-off delay for longer battery life. Continuous high-speed: Choose the frame rate for continuous high-speed release mode from options ranging from 20 fps to 10 fps.
Choose the frame rate for continuous low-speed release mode from options ranging from 10 fps to 1 fps. The actual frame rate when 8 fps is selected is 7. The maximum number of shots that can be taken in a single burst in continuous release modes can be set to any value between 1 and Note that regardless of the option selected, there is no limit to the number of photos that can be taken in a single burst when a shutter speed of 4 s or slower is selected in mode S or M.
Choose the release modes that can be accessed by pressing the button and rotating the main command dial when the release mode dial is rotated to. Pre-release bursts: choose either 0,3 second, 0,5 second or 1 second of recording before you press the shutter. Choose whether the shutters on the remote cameras are synchronized with the shutter on the master camera when using an optional wireless remote controller or the Connect to other cameras item in the network menu.
Extend the range of shutter speeds available in mode M ; the slowest shutter speed available when ON is selected is s 15 minutes. Extended shutter speeds can be used for pictures of the night sky and other long exposures.
At speeds slower than 1s, the shutter speed displayed by the camera may differ from the actual exposure time. The actual exposure times at shutter speeds of 15 and 30 seconds, for example, are respectively 16 and 32 seconds. The exposure time will again match the selected shutter speed at speeds of 60 seconds and slower. Choose the options that can be accessed by rotating a command dial in the i menu or while pressing a control to which image area has been assigned. Choose whether the camera adjusts the preview in the viewfinder or monitor to reflect how shooting settings will affect the hue and brightness of the final picture.
Regardless of the option selected, the effects of camera settings are always visible in video mode. Select [ ON ] to brighten the display for ease of viewing in dark environments starlight view. Note that the display may become slightly jerky when starlight view is in effect. This makes the displays easier to view with vision adapted to dark environments during astronomical photography and the like.
If OFF is selected, the backlights will light when the power switch is rotated to D. The backlights turn off when the shutter-release button is pressed.
If ON is selected, the backlights will light while the standby timer is active. Note that this increases the drain on the battery. The backlights will turn off while the shutter-release button is pressed, but will turn on again when the button is released. Choose whether image review is available during burst shooting. If Off is selected, not only the monitor but also the monitor backlight will turn off during exposures.
Select OFF to hide the white border around the shooting displays in the monitor and viewfinder. Type A : A large indicator showing roll and pitch fills the display.
Type B : A roll indicator appears at the bottom of the display and a pitch indicator at its right edge. Wzmocnienie czerw. Wzmocnienie czerwieni Wzmocnienie czerw. Dostosowany do poczty elektronicznej. Wybierz ustawienie balansu bieli i wyreguluj je str. Wybierz ustawienie Przetwarzania obrazu str. Zapis danych Filtr dolnoprzepustowy Program ekspozycji Programy braketingu Obraz w wizjerze jest ciemny. Wybierz AF-S. B Zegar w aparacie nie jest — miga ustawiony.
H miga q Fotografowany obiekt jest zbyt jasny. Ustaw zegar w aparacie. Wybrano A w trybie ekspozycji S.
O miga Uszkodzenie aparatu. Ta karta nie jest sformatowana. Resetowanie ustawieniem osobistym A Reset. Design Rule for Camera File System 2.
Digital Print Order Format , Exif 2. Nikon D Read more. Mastering the Nikon D Nikon D90 For Dummies. Nikon D90 User's Manual English. Nikon D90 Digital Field Guide. Instrukcja dla komisarzy krolewskich. Nikon Ds For Dummies. Nikon D - German. Nikon D60 For Dummies. Nikon D For Dummies. Recommend Documents. Your name. Close Send. Remember me Forgot password? Our partners will collect data and use cookies for ad personalization and measurement.
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